Archive for the ‘DJing’ Category

A Mother’s love is immense. It is pleasantly unrelenting and as boundless and beautiful as a starry night Montana sky. In Hip Hop, we’ve experienced a Mother’s love; wonderfully displayed by those Mother’s that have suffered the untimely loss of their iconic son or daughter. Consider the late Afeni Shakur. Consider Volleta Wallace. Consider Maureen “Ma Dukes” Yancey.  And consider, Kathy Averill – Mother of lyrical titan, Eyedea. It’s been because of the fierce Motherly love of these Women that the legacies of their lyrically inclined, Hip Hop celebrated sons have sustained beyond their passing.

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On this episode of TCOHHL (The Chronicles of a Hip Hop Legend) Radio, D.D. Turner, C. Stats, and DJ Jay St. Paul kick it with Kathy Averill – Mother of legendary Emcee, Eyedea. During the conversation, Kathy’s graciousness provides perspective on Eyedea’s ascension into the realm of “Legend,” as well as his desire for his music to serve as a voice for the voiceless. The conversation proves insightful and reinforces why the life and music of Eyedea continue to garner praise and celebration six years after his passing.

And as usual, DJ Jay St. Paul entertains us with a mix that appropriately pays homage to Michael “Eyedea” Larsen. Click below to listen.

 

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On this episode of TCOHHL (The Chronicles of a Hip Hop Legend) Radio, D.D. Turner and C.Stats welcome back to the show, Masta Ace. This time, the conversation provides an in-depth look at the making and intent of Masta Ace’s latest album release, The Falling Season; a concept album that offers fans/listeners access to Masta Ace’s formative years as a teen growing up [in the early 80’s] in Brooklyn, NYC. Hip Hop heads…This is an episode that you don’t want to miss!

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And regarding the playlist? Let’s just say that DJ Jay St. Paul blesses us with a mix that reminds us of Masta Ace’s dynamic career and why he is appropriately regarded as a legend.

Click below to hear the episode.

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The Chronicles of a Hip Hop Legend has released a new marketing image that looks to further reinforce the brand’s intent of becoming the preeminent source of content for all things related to Hip Hop culture.

Roughly two years have elapsed since the launch of its Radio/Media counterpart, TCOHHL_Radio, and already the effort has amassed several dozen interviews with some of Hip Hop’s more celebrated contributors with more on the way. In addition, TCOHHL boasts an array of guests [from a Champion Chess Grandmaster to a Super Bowl contributing classically trained Musician] that support the lesser known 5th element of Hip Hop culture being, “Knowledge.”

From books to radio, The Chronicles of a Hip Hop Legend’s approach has proven unorthodox but refreshing in a manner that undoubtedly positions itself as a contemporary Subject Matter Expert for all things pertaining to the culture.

Stay tuned. TCOHHL has only just begun. Word is born!

Visit mixcloud.com/tcohhl_radio to listen to the TCOHHL Radio show archives.

Visit tcohhl.bandcamp.com to download the entire 1st book in The Chronicles of a Hip Hop Legend literary series.

On this episode of TCOHHL (The Chronicles of a Hip Hop Legend) Radio, D.D. Turner welcomes his older, Corey Turner, Esq. to the TCOHHL experience and together they kick it with celebrated DJ, Music Producer, Documentarian, Hip Hop purveyor/protector, and Host of the Fran Lover Show, Fran Lover. With a relationship that goes back more than 30 years [with origins firmly planted in the Linden Housing development located in the East New York section of Brooklyn – NYC], the discussion unfolds in a manner that proves familiar, insightful, nostalgic, and entertaining.

And regarding the playlist? Let’s just say we appropriately explore Hip Hop’s Rap music timeline through an unfiltered and undisturbed East New York lens.

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Click below to hear the episode.

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Youthful expression in Hip Hop has always been fundamental to the culture. After all, the youth collectively are and have always been responsible for the long-term sustainability and progressiveness of the culture. In a recent conversation, I went on record saying that Hip Hop and I are twins; there are very few recollected moments in my life in which Hip Hop hasn’t been a major fixture.

In this regard, DJ Kool Flash and I are similar. Where we differ however is DJ Kool Flash’s ability to profess her support of the culture [at her present age] in a way that is extremely passionate, expressive, and masterful.

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This week on TCOHHL (The Chronicles of a Hip Hop Legend) Radio (4/20/2016), D.D. Turner and C. Stats kick it with the talented future legend, DJ Kool Flash. During our time spent with DJ Kool Flash, we discuss her Hip Hop roots, her favorite Hip Hop artists, and equally as exciting and riveting, her introduction and ongoing skill development as a Turntablist. And regarding the playlist? Let’s just say it bridges the musical gap and effectively celebrates those Hip Hop artists that started out young…Like DJ Kool Flash.

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By: D.D. Turner, Founder/Executive Producer/Host
TCOHHL (The Chronicles of a Hip Hop Legend) Radio
Twitter: @TCOHHL_Radio/@HipHops_Wizard
Instagram: @HipHops_Wizard
Chroniclesofahiphoplegend.bandcamp.com

**You know the drill! Don’t be a #Turdbird! Visit mixcloud.com/tcohhl_radio to listen to our show archives. And while there, subscribe to our station to stay updated on our latest show releases.**

 

In 2000 years from now, it’s reasonable to think that Hip Hop’s story will be contained and accessible in a collection of texts that are as significant as the Bible, the Quran, the Torah, the Tripitaka, and the Vedas. In our sacred Hip Hop text, I foresee the opening sentence reading as follows:

“In the beginning, there was the DJ [or Disc Jockey/Crowd Controller/Cut Master/Mix Master]. For thou extremities, serving as an extension of thine heart and projecting the passions contained within thine soul, controlled the emotion of the crowd, and quelled the collective angst.”

I grant you that my zeal for the Hip Hop DJ is perhaps extreme [and even blasphemous based on the reader] but it is appropriate. Hip Hop culture started with the Disc Jockey. And it would be because of this foundational role, Hip Hop would be conceived and nurtured into the global powerhouse of a culture that so many of us have come to support and love. But like anything else that is nurtured, it inevitably matures and morphs into something that is an exact manifestation of its own hopes and dreams. And that is a refined, highly skilled, and progressed version of its predecessors and younger self.

With certainty, it can be stated that Hip Hop’s DJ Pioneers hoped for the progressiveness of the discipline and absolutely, DJ Rob Swift has contributed to leading the effort of fulfilling these hopes. More than a DJ, Rob Swift is a skilled Turntablist; a musician of sorts whose instrumentation is a result of his skillful and admired manipulation of sound through a carefully crafted and honed technique.

This week on TCOHHL (The Chronicles of a Hip Hop Legend) Radio, D.D. Turner and stats kicks it with the legendary, DJ Rob Swift. During their park bench-esque conversation, the duo discuss with Rob his DJing roots, growing up in Queens, his foray into academia, and a host of other topics. And because we’re sure of your inquiry about the playlist, we’re proud to announce that it’s ALL ABOUT THE DJ.

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By: D.D. Turner , Founder/Executive Producer/Host
TCOHHL (The Chronicles of a Hip Hop Legend) Radio
Twitter: @TCOHHL_Radio/@HipHops_Wizard
Instagram: @HipHops_Wizard
Mixcloud.com/tcohhl_radio

**You know the drill! Don’t be a #Turdbird! Visit mixcloud.com/tcohhl_radio to listen to our show archives. And while there, subscribe to our station to stay updated on our latest show releases.**

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The Chronicles of a Hip Hop Legend (#TCOHHL) Radio is deeply saddened by the untimely passing of pioneering lyricist and Hip Hop purveyor, Phife Dawg. So, to appropriately celebrate the life and legacy of our beloved Hip Hop hero, D.D. Turner, Stats, and Mr. Street recorded this show in his honor and memory.

Follow the link below to stream the Phife Dawg Tribute episode/chapter.

Hearing good music, in its originally composed format, makes for a great experience. But when that original composition is reinterpreted in a manner that explores and subsequently identifies additional depth in the piece, the listener finds themselves thrust into a subjective space where the sound’s melodic pleasantries are perhaps as ubiquitous as the smell of ripe fruit emanating from a NYC Produce stand on a hot summer’s day.

By far, Hip Hop has led the charge in the reinterpretation of classic music compositions; inherent to the existence of true Hip Hop DJs, Producers, and Beat Makers is the beloved activity of Crate Digging – The process of sourcing past obscure and popular music titles for the purpose of reinterpreting the original composition to make it anew. At the beginning of Hip Hop’s timeline, the infancy of this skill would be displayed by pioneering DJs [like DJ Kool Herc, DJ Hollywood, DJ Afrika Islam, DJ Grandmaster Flowers, DJ Afrika Bambaataa, DJ Grandmaster Flash, DJ Grand Wizard Theodore, Kool DJ Red Alert, DJ Marley Marl, DJ Chuck Chillout, and DJ Jazzy Jay], all of whom would maintain the collective momentum and engagement of partygoers by manually extending/looping identified drum patterns from previously released classic Soul/R&B compositions. This would come to be known as the Break-Beat; the keystone and arguably most fundamental component of Hip Hop’s, Rap music. Celebrated beat and production craftsmen that have and continue to indulge in this process while making advancements to the skill include the likes of the legendary J-Dilla, DJ Pete Rock, DJ Premier, DJ Quik, Dr. Dre, No I.D., Hank and Keith Shocklee (The Bomb Squad), Q-Tip, Kanye West, Timbaland, 9th Wonder, and Just Blaze.

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But also leading the effort of this discipline is Detroit’s own, Tall Black Guy. Tall Black Guy has coined a sound and music production style [amidst the realm of Hip Hop] that is truly all his own. To attempt to contextualize the depth of his creativity in words is to be of a disservice to Tall Black Guy and the effort of explanation related to his level of musicianship. So, in traditional TCOHHL (The Chronicles of a Hip Hop Legend) Radio fashion, we’d like to formally invite you to check out the upcoming, ‘Tall Black Guy Chapter.’ This Wednesday on March 16th, TCOHHL Radio kicks it with Mo-Town’s own, T.B.G. With him, we discuss his childhood, musical influences, production style, Hip Hop culture, past/present/future projects, and a host of other topics. And the playlist you ask? Let’s just say that this will be a great opportunity for you to be introduced and/or reminded of the skill and style of our homie, Tall Black Guy.

By: D.D. Turner , Founder/Executive Producer/Host – TCOHHL (The Chronicles of a Hip Hop Legend) Radio

Twitter: @TCOHHL_Radio/@HipHops_Wizard

Instagram: @HipHops_Wizard

Mixcloud.com/TCOHHL_Radio

Chroniclesofahiphoplegend.bandcamp.com

**You know the drill! Don’t be a #Turdbird! Visit mixcloud.com/tcohhl_radio to hear the interview. And while you’re there, subscribe to our station to stay updated on our latest show releases.

Can you recall the moment when you realized that Hip Hop’s sound and look was multi-dimensional? In pondering an answer to this question, our collective recollection as Hip Hop supporters would naturally transport us back to 1988 to engage memories of the endearing Native Tongue movement (Tribe Called Quest, De La Soul, Jungle Brothers, Black Sheep, Queen Latifah, Monie Love, Kool DJ Red Alert, Chi-Ali, and the Fu-Schnickens) and such an engagement would be undeniably correct. But in 1992, Hip Hop’s music would experience an infusion to its already present and unapologetically expressed consciousness. As supporters, we’d have the good fortune of being introduced to a new sound, spirit, and aestheticism that we had yet to experience up until that point. And the provider of this experience you ask? Arrested Development and their debut release, ‘3 Years, 5 Months & 2 Days In The Life Of…

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Arrested Development is legendary. During a time when Hip Hop’s Rap music was already at its multi-dimensional peak, A.D. [Arrested Development] further pushed the music’s boundaries, thereby, creating another realm where the culture could thrive amidst the music business’s time and space construct. Arrested Development effectively reinforced the understanding that gaining and maintaining Knowledge of Self wasn’t the singular responsibility of Black culture; the duty was to also be proud of who we are while upholding an ever-present sense of integrity that is warranted by our African lineage. Additionally, through their soulfully conscious concoctions of melody, A.D. forced us to challenge popular perspective and engage individual thought and perception. After hearing ‘Mr. Wendal,’ how many of you found yourself driven by the inclination to engage a homeless person in dialogue? I did and found the conversation to be extremely enlightening and impactful. From ‘Everyday People’ to ‘Tennessee’ to ‘Revolution’ to Speech’s Hip Hop Proclamation, ‘Can U Hear Me,’ back to the positive cultural assertions that ‘Natural Hair’ imparted to some of the group’s current releases like, ‘Follow That,’ and ‘Weight (Off My Back),’ Arrested Development has always been endowed with a capability of authoring music that connects with the consciousness of humanity without sacrificing Hip Hop’s Boom-Bap signature.

This Wednesday on March 2nd, TCOHHL (The Chronicles of a Hip Hop Legend) Radio kicks it with Speech, Founder and Front-Man of the legendary Arrested Development collective. With Speech, we discuss growing up in Milwaukee and Tennessee, the formation of Arrested Development, cultural awareness, their new projects, and a host of other topics.

By: D.D. Turner , Founder/Executive Producer/Host – TCOHHL (The Chronicles of a Hip Hop Legend) Radio

Twitter: @TCOHHL_Radio/@HipHops_Wizard

Instagram: @HipHops_Wizard

Mixcloud.com/TCOHHL_Radio

Chroniclesofahiphoplegend.bandcamp.com

**You know the drill! Don’t be a #Turdbird. Visit mixcloud.com/tcohhl_radio to hear the interview on March 2nd. And while you’re there, subscribe to our station to stay updated on our latest show releases.

How do you celebrate the life and legacy of, Sean Price? In a public forum, preferably one that is broadcasted, you invite his brother and arguably the person, following his immediate family, that knew him best. That would be, the Rock[ness] Monstah (most commonly known by true Hip Hop heads as, ‘Rock’) from one of Hip Hop’s most notable and quotable premier lyrical tag-teams, Heltah Skeltah.

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Next Wednesday, February 17th, TCOHHL (The Chronicles of a Hip Hop Legend) Radio kicks it with the Rockness Monstah. From life in Brooklyn to his brotherhood with the legendary, Sean Price, to his perspective on the current state of lyricism and music, Rock gives us an interview and discussion that is sure to keep you thoroughly enthralled. As well as, new music that will undoubtedly get you excited about the “Buck-Town” legend’s upcoming project(s).

You know the drill! Don’t be a #Turdbird. Visit mixcloud.com/tcohhl_radio to hear the interview. And while you’re there, hit the “Follow” button.

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