Posts Tagged ‘London’

Hearing good music, in its originally composed format, makes for a great experience. But when that original composition is reinterpreted in a manner that explores and subsequently identifies additional depth in the piece, the listener finds themselves thrust into a subjective space where the sound’s melodic pleasantries are perhaps as ubiquitous as the smell of ripe fruit emanating from a NYC Produce stand on a hot summer’s day.

By far, Hip Hop has led the charge in the reinterpretation of classic music compositions; inherent to the existence of true Hip Hop DJs, Producers, and Beat Makers is the beloved activity of Crate Digging – The process of sourcing past obscure and popular music titles for the purpose of reinterpreting the original composition to make it anew. At the beginning of Hip Hop’s timeline, the infancy of this skill would be displayed by pioneering DJs [like DJ Kool Herc, DJ Hollywood, DJ Afrika Islam, DJ Grandmaster Flowers, DJ Afrika Bambaataa, DJ Grandmaster Flash, DJ Grand Wizard Theodore, Kool DJ Red Alert, DJ Marley Marl, DJ Chuck Chillout, and DJ Jazzy Jay], all of whom would maintain the collective momentum and engagement of partygoers by manually extending/looping identified drum patterns from previously released classic Soul/R&B compositions. This would come to be known as the Break-Beat; the keystone and arguably most fundamental component of Hip Hop’s, Rap music. Celebrated beat and production craftsmen that have and continue to indulge in this process while making advancements to the skill include the likes of the legendary J-Dilla, DJ Pete Rock, DJ Premier, DJ Quik, Dr. Dre, No I.D., Hank and Keith Shocklee (The Bomb Squad), Q-Tip, Kanye West, Timbaland, 9th Wonder, and Just Blaze.

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But also leading the effort of this discipline is Detroit’s own, Tall Black Guy. Tall Black Guy has coined a sound and music production style [amidst the realm of Hip Hop] that is truly all his own. To attempt to contextualize the depth of his creativity in words is to be of a disservice to Tall Black Guy and the effort of explanation related to his level of musicianship. So, in traditional TCOHHL (The Chronicles of a Hip Hop Legend) Radio fashion, we’d like to formally invite you to check out the upcoming, ‘Tall Black Guy Chapter.’ This Wednesday on March 16th, TCOHHL Radio kicks it with Mo-Town’s own, T.B.G. With him, we discuss his childhood, musical influences, production style, Hip Hop culture, past/present/future projects, and a host of other topics. And the playlist you ask? Let’s just say that this will be a great opportunity for you to be introduced and/or reminded of the skill and style of our homie, Tall Black Guy.

By: D.D. Turner , Founder/Executive Producer/Host – TCOHHL (The Chronicles of a Hip Hop Legend) Radio

Twitter: @TCOHHL_Radio/@HipHops_Wizard

Instagram: @HipHops_Wizard

Mixcloud.com/TCOHHL_Radio

Chroniclesofahiphoplegend.bandcamp.com

**You know the drill! Don’t be a #Turdbird! Visit mixcloud.com/tcohhl_radio to hear the interview. And while you’re there, subscribe to our station to stay updated on our latest show releases.

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Art, regardless of the medium, is subjective. When engaging art, individual interpretation affords us the opportunity to derive our own context regarding the inspiration and intent behind the work. Following this reasoning, one can appropriately deduce that, fundamentally Hip Hop provides the canvas of expression and the interpretive standards to which we adhere for the purpose of making a connection with its masterpieces. From Rap music to Graffiti to the pursuit of knowledge through education [institutional or otherwise], those of us that regard the culture’s elements as regular functions of our day-to-day lives generally do so in a manner that fits perfectly into the framework of our own individualism.

Introducing, Dan Lish; a consummate example of the aforementioned and a certified endorser of Hip Hop culture. As a talented visual artist and an ardent supporter of Hip Hop, Dan has proven that a place of mutuality can exist between two disciplines and the regular hampering of inhibition can be achieved when creativity and passion are always prioritized.

Real talk…Dan’s work is f@%king outstanding! Albeit a result of his individualism, Dan’s ability to visually interpret song content and the persona of some of Hip Hop’s most revered legends is inspiring, thought provoking, and surely endowed with the capacity to beckon intelligent and perspective driven Hip Hop conversation. To study his work is to submit to a realm of wonderment; forcing escapism to a magical destination where the cost of admission is limited to the mere engagement of subjectivity by one’s own interpretation. His choice of subtle colors and illustrative processes makes for a style that is completely his own; it allows those that indulge his masterpieces to not be lost in the over-saturation and blinding hues of bright colors. But instead, you find yourself swept away by Dan’s exertion of identified symbolism and its ability to portray the genius, iconic nature, and perhaps the interpreted innocence of our beloved Hip Hop legends.

Hip Hop has grown and its maturity is a mirror reflection of the intellect, skill, and creativity that it has fostered in us as its supporters. Consistently, Dan Lish provides evidence of this by allowing the synergy that exists between his life gift of intellect, skill, and creativity and his passion for Hip Hop in an effort to widen the culture’s perspective and further its social appeal and global relevance.

Visit http://www.egotripland.com/artist-dan-lish/ and http://danlish.com to see Dan’s artwork. Also, stay tuned for the upcoming “Dan Lish Episode” on TCOHHL (The Chronicles of a Hip Hop Legend) Radio (http://mixcloud.com/TCOHHL_Radio).

-D.D. Turner, TCOHHL (The Chronicles of a Hip Hop Legend)

@TCOHHL_Radio – Twitter

@hiphops_wizard – Instagram