Archive for the ‘Dreams’ Category

Are you an avid Shark Tank watcher? Do you recall season 6 – episode 11? An extremely poised Lydia Evans and her SWAG Essentials Company positioned a product before the Sharks and viewing audience that addressed the skin care and grooming concerns of countless men; that would be the dreaded affliction of Pseudofolliculitis (Razor Bumps). Since this episode, Lydia and her Swag Essentials brand have grown tremendously by offering a range of products that address the grooming healthfulness and sensibilities of an array of people, all while experiencing a revenue growth of more than 250%.

This slideshow requires JavaScript.

On this episode of TCOHHL (The Chronicles of a Hip Hop Legend) Radio, D.D. Turner and C. Stats kick it with Lydia Evans to discuss her life and journey towards entrepreneurship, her Shark Tank experience, and the future of SWAG Essentials.

And as usual, the #TCOHHL Team takes you on a journey of #HipHop’s glorious history, past and present, by way of the strategically constructed playlist.

Click below to hear this episode!

Hit us up!

@TCOHHL_Radio (Twitter)
@hiphops_wizard (IG/Twitter)
@ygb79 (Twitter)
@lyrik1979 (IG)
Facebook: https://www.facebook.com/pages/The-Chronicles-of-a-Hip-Hop-Legend/124999960869348
https://tcohhl.wordpress.com
http://tcohhl.bandcamp.com/

 

Advertisements

On this episode of TCOHHL (The Chronicles of a Hip Hop Legend) Radio, D.D. Turner and C. Stats kick it with the King of Content, James ‘Kraze’ Billings. During our conversation we discuss his Long Island – New York roots, his journey towards becoming the King of Content, his past projects with FUBU and Audi, his Industry Muscle website and brand, his upcoming projects [including a documentaries on Hip Hop lyrical legends, Rakim Allah and Biz Markie] and a truly riveting discussion on Hip Hop’s cultural appropriation.

Industry-Muscle-Logo-h4-BS

And regarding the playlist? Not only do we open the show with a gap-bridging event, we satisfy your appetite with a pure and authentic Hip Hop experience.

On this episode of TCOHHL (The Chronicles of a Hip Hop Legend) Radio, D.D. Turner and C. Stats kick it with the creators of the Tuskegee Heirs animated series, Greg Burnham and Marcus Williams. During our conversation, we discuss their respective roots, the artistry of animation, their amazing animated series, and the unparalleled history and courageousness of the Tuskegee Airmen.

TuskegeeHeirs9
Also, to celebrate the life, legacy, and genius of the legendary musician, Prince, we open up the show with a self-authored poem by TCOHHL Radio co-founder, Ishmael Street, followed by a review of why Prince will forever be regarded as an icon. And don’t worry, you appetite for a pure and authentic Hip Hop experience will be thoroughly satisfied.

“…these are the words that I manifest. I Manifest.” – Gang Starr, Manifest (No More Mr. Nice Guy, 1989 – Wild Pitch Records/EMI Records)

Peace, Macklemore and Ryan Lewis

With sincerity, I submit this manifesto of gratitude and appreciation for your concern. More to the point and specific to this document’s intent, I thank you for your candor; your willingness to acknowledge the plight of Black people [through your dialogue invoking joint, White Privilege II] and the origination of what has proven to be an insurmountable social obstacle against the system of White Privilege. Your efforts are commendable, and brave to boot. Your public observance of what has been an issue for nearly 500 years is regarded as sincerely empathetic and not trivial, for it suggests that you understand the proper way in which to address and impart reasoning unto your cultural peers for the purpose of contextualizing the very real idea of white privilege, cultural appropriation, and cultural subjugation. However, while your song content and approach are unique and brim with quality, I’d be remiss if I failed to mention that the intent and goal aren’t. As I am sure you are aware, Hip Hop has always served as the initiate for social change, highlighting the adverse circumstances under which we were, are, and continue to be placed, per the ubiquitous nature of white privilege/supremacy.

Over the years, many of our beloved and legendary Emcees have worked to bring awareness to the problem while bolstering the richness and righteousness that is contained within us, the original man – “The maker, the owner, the cream of the planet Earth, Father of civilization, God of the Universe.” Legendary Emcees such as: KRS One – You Must Learn; PRT (Poor Righteous Teachers) – Shakiyla; X-Clan – Funkin’ Lesson; Lakim Shabazz – Black is Back; King Sun – Be Black; Big Daddy Kane – Young, Gifted, and Black ; Brand Nubians – Wake Up; Public Enemy – Fight The Power; Grandmaster Flash and The Furious Five – The Message; Fearless Four – Problems of The World Today; Gang Starr – Royalty; Black Star (Mos Def & Talib Kweli) – Brown Skin Lady; Rakim – The Mystery; Nas – I Can, and a host of others that go unnamed but are equally recognized. Unfortunately, the gracious offerings of these artists wouldn’t surpass exposure beyond cultural relevance; the exception perhaps being those White brothers and sisters that were and continue to be avid Hip Hop supporters and/or historians.

This slideshow requires JavaScript.

Macklemore and Ryan, the point of the aforementioned is not to convey nor pose opposition to your song, but, to simply acknowledge those that have come before you [as you’ve most notably done on DownTown feat. Kool Moe Dee, Grandmaster Caz, and Grandmaster Melle Mel]and have leveraged the platform of Hip Hop culture as a means of effectuating social change, or in the least, spark the flame of cultural consideration amongst  White folks.

Regarding this matter, I found myself compelled to express my perspective. Not because I felt it necessary to align with the wayward backlash that you guys are being met with, but instead, to provide an articulate and respectful explanation of how we as Black folks potentially feel about your song, albeit gracious. On another note, I have to admit that I was somewhat indifferent about your career; I’d concur that your lyrical prowess is mostly enjoyable and your content/topics were interesting and sometimes even poignant but your songs never quite resonated with me. In fact, if I can be honest, I initially considered you to be just another White rapper using the benefit of implicit privilege, supremacy, carefree themes, flow patterns, suitable vocal inflections, and vocabulary to drive a career. A shift in my belief has since occurred causing me to depart from this perspective and see that in fact, White people can genuinely care about and be invested in the long-term sustainability of Black culture. The two of you have proven this through your public sincerity and gratitude for the incomparable contributions that Black culture has imparted unto the world.  You guys have possibly set the stage for change amongst White people and it is now time to execute.

Below are some recommendations of how you can further facilitate an understanding amongst your ethnic peers regarding the social dynamic between Black and White people and how it is impacted by the system of White Privilege.  Some recommended group talking points amongst White people are as follows:

  • Don’t be threatened by the assertion of Black [and Brown] Pride
  • Seek opportunities that support/reinforce empathy for the Black [and Brown] experience
  • Similarities between the Black and White racial/social experience is virtually non-existent
  • Understand that the statement, “Black Lives Matter” is not suggestive of racism or a disregard for White lives
  • Gentrification is a result of White Privilege and is a real and proven concept that forces cultural displacement
  • White flight is a result of White Privilege and is a real and proven concept that erodes the cultural diversity in a neighborhood, thereby, causing the inevitability of poverty as a result of ethnic stereotyping
  • Amongst Black people, Rioting is never a result of animalistic and/or apathetic manifestations. Instead, it is the result of hopelessness in the face of racial adversity, inequality, and injustice
  • Effectively, Black [and Brown] people can’t reasonably be regarded as racist amidst the looming shadows of systematic White Privilege/Supremacy

Again, I thank you [prospective Hip Hop Legends] for your willingness to create the basis upon which healthy dialogue regarding the issue of ethnic privilege will perhaps come to thrive. It is my hope that the perspective shared in this manifesto has merely served as additional context and has imparted suggestive instructions that look to contribute to a foundation of better understanding the Black experience.

Thank you in advance for the engagement. Looking forward to hearing back from you.

One,

D.D. Turner, Enforcer of Negritude

TCOHHL (The Chronicles of a Hip Hop Legend) Radio

@TCOHHL_Radio

mixcloud.com/tcohhl_radio

tcohhl.wordpress.com

chroniclesofahiphoplegend.bandcamp.com

 

 

 

 

image

image

image

image

image

image

What’s your expectation of fashion?
Is it aestheticism? Perhaps it’s intent; the conveyance of a particular message that the brand has committed itself to. For us at TCOHHL, it’s both; the ability of the brand to have visual appeal but also be suggestive in its message. Burgeoning apparel line, Blacktag Apparel (blacktagapparel.com), effectively fulfills both expectations. And you don’t have to take TCOHHL’s word for it. Just refer to the countless celebrities and HBCUs (Historically Black Colleges and Universities) that have endorsed/supported B.T.A.

This Wednesday on The Chronicles of a Hip Hop Legend (#TCOHHL) Radio, the dynamic duo, D.D. Turner and C. Stats, will be kicking it with Abdul Chatman, Founder and Designer of Blacktag Apparel. We’ll be discussing his journey, the creation of Blacktag Apparel, the intent/focus of the brand, and the future.
Call yourself a fashion aficionado? Then you’re going to love this episode! So tune in on Wednesday, September 30th, from 8-10pm est on tenacityradio.com.

Don’t fake jacks by being a #TurdBird. Tune in and officially be Down By Law with #TCOHHL and #BlacktagApparel. #WordBorn!

On the go? Then tune in to the live show on Wednesday, September 30th, via our mobile app using the link attached below.

http://tenacityradio.mobapp.at/#listen-live/Listen_Live

image

image

Are you a parent? Have your parental responsibilities and the desire to pursue your passion caused you to feel, Divided?

This Wednesday on The Chronicles of a Hip Hop Legend (#TCOHHL) Radio, the dynamic duo, D.D. Turner and C. Stats, will be hosting, Will Feagins Jr.; Creator and Director of the newly released documentary, Divided Time. Divided Time explores the lives of Hip Hop/Recording Artists attempting to find a balance between the joyous responsibility of parenthood and the ever-present allure of pursuing that which they are passionate about, their music. But what happens when the pursuit of passion isn’t providing resources for the family’s sustainability? Shit! In the words of Ronald Johnson from A Different World, “You get a job!”

Tune in to hear us discuss Will’s journey and the inspiration behind the creation of, Divided Time.

Don’t fake jacks by being a #TurdBird! Tune in on Wednesday and officially be Down By Law with #TCOHHL, Will Feagins Jr., and Divided Time. You just might find yourself inspired and motivated to identify your own balance
between parenthood and passion.

On the go on Wednesdays? Then tune in to the live show via our mobile app using the link attached below.

http://tenacityradio.mobapp.at/#listen-live/Listen_Live